Location: Rose O’Neill Literary House
1. The Monkey & the Wrench: Essays into Contemporary Poetics, co-edited by Mary Biddinger and John Gallaher, University of Akron Press, 2011.
At the 2013 West Chester University Poetry Conference, I read an essay from this book as part of my craft workshop. “The Moves: Common Maneuvers in Contemporary Poetry” by Elisa Gabbert calls out 21 common and identifiable “moves” used in contemporary poetry, of which we are all guilty. Like the lonelyheart in the bar, always trying the same lines on different mates and hoping that one will eventually believe them to be true. There is nothing inherently wrong with these “moves,” Gabbert tells us. But we should know when we’re using them and how and to what purpose, to make sure we’re not just using them to prop up bad poems with no substance behind them. I can’t wait to dig into the other essays in this collection.
2. The Book of Forms: A Handbook of Poetics, Including Odd and Invented Forms, Revised and Expanded Edition, by Lewis Putnam Turco, University Press of New England, 2011.
Lewis Turco was also an encounter from my time at West Chester. Although I missed his panel discussion, I made sure to pick up this book before leaving. I love a good reference book. And they are especially handy when you don’t have a helpful professor around to ask, “Hey, what’s a ghazal? How do I write one?” All in all, I feel that this is definitely a useful addition to my home library.
3. A Natural History of the Senses, by Diane Ackerman, Vintage Books, 1991.
This is a book I stumbled upon a few years ago, but I fell in love with it when I did. Diane Ackerman is a poet, as well as a writer of creative nonfiction. This book is broken down into sections dedicated to each of the five senses, including a sixth section about synesthesia–when the stimulation of one sense produces a reaction in another sense, such as smell producing the sensation of color or taste creating the sensation of sound. Reading this book will give you a deeper sense (excuse the pun) of the specific power your five senses have over your experiences and how to better apply these sensations to your own writing.